Record company people are still shady.
THE SCENE: When we last left Q-Tip in 2001, Arista Records refused to release his album Kamaal The Abstract, deeming his ambitious fusion of hip-hop, jazz & rock “uncommercial”. I imagine the conversation went something like this:
Record Exec: “I don’t think this album is going to sell.”
Q-Tip: “But every album I’ve made has sold over half a million units, including all the Tribe Called Quest albums.”
Record Exec: “You were in A Tribe Called Quest?”
Q-Tip: (says nothing in return, makes note to call J Records.)
After negotiating a release from his label, Q-Tip moved to J Records where in 2004 he refined Kamaal‘s breakthroughs with the abstract grooves of Open.
Melting the melodic expressiveness of jam-rock into the cadence and form of hip-hop, Open is a confetti explosion of re-interpreted sounds. Q-Tip’s treble flow retains its tap dancer grace, but his usual sunny self is shaded with caution and abandonment. He’s also singing again, but he’s given near duet status to guitarist Kurt Rosenwinkel, who drops prominent chunks of jazz-metal riffs over the live band.
“Johnny Died” crystallizes Q-Tip’s manifesto, as he raps over a headbopping beat in 6/8 time, playing slip-n-slide around the guitars’ ragged pogoing. The sneaky, circus-like riffs of “Black Boy” crunch greasily like fried chicken as Q-Tip’s sweetly paranoid vocals peel back the carnival curtain:
Be careful of the thing you say
Or they’ll tow your black butt away
Be careful ’bout how you roll
They’re gonna say that you’re outta control
Anyone expecting traditional rap songs on this album will also think he’s outta control with his blues jam “Feelings” and the spidery, climaxing 9/4 rhythm of “Where Do You Go?”. The tracks get groggier and drowsier in the rapidly detuning “Late Mornin'” and the constantly rewarping “I’m Not Gone Have It”. He finally collapses, sinking into the magenta mud of “Lisa”, his melancholia telegraphing the beginning of a romance’s end:
When I woke up in the morning
I still felt it in my bones
Because I think about that morning
When I called you at your home
I told you about my rough times
And you rushed me off the phone
Was it because you didn’t really care
Or because you weren’t alone?
A tour de force of grand experimentalism, with sharp lyricism and tight beats. What could go wrong?
THE FALLOUT: J Records refused to release Open, deeming his ambitious fusion of hip-hop, jazz & rock “uncommercial”. I imagine the conversation went something like this:
Record Exec: “I don’t think this album is going to sell.”
Q-Tip: “But every album I’ve made has sold over half a million units, including all the Tribe Called Quest albums.”
Record Exec: “You were in A Tribe Called Quest?”
Q-Tip: (says nothing in return, makes note to call Universal/Motown Records.)
Q-Tip eventually decamped to Universal/Motown, where he recorded Live at The Renaissance in 2005, which also remains unreleased. On November 7 he’s scheduled to release a reworked version called The Renaissance, making it his first solo joint in 9 years. As this is the same date as the most important presidential election in American history, will anyone even notice?
Open remains unreleased, but you can sample tracks here:
Throbbing with human fraility, Open ushers in a stillborn musical genre, one too un-regimented for an official airing.
See you next Wednesday.
NEXT WEEK: Step aside, Larry Graham! Dorothy Ashby plays her funky…koto?
